Elizabeth Okie Paxton

Elizabeth Okie Paxton (17 Maret 1878 – 2 April 1972[nb 1] adalah seorang pelukis Amerika, menikah dengan seniman lain William McGregor Paxton (1869–1941). Keluarga Paxton adalah bagian dari Boston School, kelompok seniman terkemuka yang dikenal karena karya interiornya yang indah, lanskap, dan potret pelanggan kaya mereka. Lukisannya banyak dipamerkan dan laris manis.[1][2]

Elizabeth Okie Paxton
LahirElizabeth Vaughan Okie
(1878-03-17)17 Maret 1878
Providence, Rhode Island
Meninggal2 April 1972(1972-04-02) (umur 94)
Boston, Massachusetts
KebangsaanAmerika
PendidikanCowles Art School
Dikenal atasModern still life and interior paintings
Karya terkenalThe Breakfast Tray
Gerakan politikBoston School
Suami/istriWilliam McGregor Paxton

Catatan

sunting
  1. ^ There are primary census, Massachusetts and Social Security death, and S.S. Lafayette (August 19, 1936) travel records that indicate that Elizabeth Okie Paxton was born on March 17, 1878 in Providence, Rhode Island and died on April 2, 1972 in Boston.

Referensi

sunting
  1. ^ Fielding, Mantle (1986). Mantle Fielding's Dictionary of America Painters, Sculptors & Engravers. Poughkeepsie, NY: Apollo. 
  2. ^ "Hale, Hale: Time to celebrate Ellen Day, Lilian Westcott, and many more". Boston Phoenix. August 16–23, 2001. Diarsipkan dari versi asli tanggal September 17, 2013. Diakses tanggal September 27, 2014. 

Sumber

sunting
  • Joan Archer (April 2002). "Women of Vision: Painting on Cape Cod". American Art Review. 
  • Judith A. Curtis (October 2004). "Guild of Boston Artists: 90th Anniversary". American Art Review. 
  • Peter Hastings Falk, ed. (1999). Who Was Who in American Art. 400 years of artists in America. Second edition. Madison, Connecticut: Sound View Press. 
  • Robert Hale Ives Gammell (1986). The Boston Painters, 1900–1930. Parnassus Imprints. ISBN 978-0-940160-31-6. 
  • Erica E Hirshler (October 2001). "Women Artists in Boston 1870–1940". American Art Review. 
  • Jean Lightman; P. Ingbretson (October 2001). "Women's Perspective at Boston Guild". American Art Review.